In terms, that gave the director several hundred hours of footage, which were edited down to 101 minutes.
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The movie is filmed through helmet-mounted cameras that the soldiers would bring almost everywhere. Both are satirical tales of how the wrong school system can break down a human’s creativity and independence, and eventually lead to the person wasting the springs of his life, hence the title.Īs the only documentary on this list, “Armadillo” is directed by Janus Metz Pedersen, and it stars the Danish soldiers from Team 7 at the Armadillo base in the Helmand Province in Afghanistan. The movie is based on the 1940 novel of the same name by Hans Scherfig. It is almost an exposure of the old school system, where learning by heart was more important than independent thoughts, and corporal punishment was used as a mean of education. Told through flashbacks, the movie explores the war between the students and the teachers, which culminates in the murder of the evil Latin teacher, lecturer C. In reality, however, their days at the school were anything but happy iron discipline and abusive teachers used to be a regular part of their day. The movie is set during the reunion of a high school class, where the former students share their memories of their happy times at school. Stolen Spring (1993) was directed by Peter Schrøder, and stars Frits Helmuth, Tomas Villum Jensen, Jesper Langberg, Adam Simonsen, and several others. The movie is a cornerstone in Danish cinema history, and it was partially responsible for Nordisk Film’s success in the following years.
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The charges against Olsen were dropped.Įven though the 12-minute movie, by today’s standards, would be considered boring and unimpressive, it was a game changer when it came out. Furthermore, the lions had been killed by professionals to prevent them from unnecessary suffering.
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Meanwhile, in the rest of the world, the movie became a success, and Olson sold about 259 copies of the movie worldwide.ĭuring the trial against Ole Olsen, it was discovered that the two lions were bought from a German zoo, and due to old age were to be put down anyway. Olsen was actually banned from filming in Denmark, and when he continued to film anyway, he was deprived of his right to run a cinema in Denmark for that reason, the premiere in Denmark was delayed until 1908. The movie sparked controversy, which led to accusations of animal abuse, since it featured the killing and skinning of two actual lions. The plot is simple: two lion hunters and their bearer tracks down and kills two lions. The movie is directed by the founder of Nordisk Film, Ole Olsen, and features actors Viggo Larsen, Knud Lumbye, and William Thomsen. Lion Hunting (1907) is widely considered the first Danish movie to gain international recognition. To keep it fair for the smaller directors, this list will only consider two entries per filmmaker. This list will focus on the movies directed by Danes, set in Denmark, and/or featuring a mostly Danish cast (this means that the list will not include movies like Lars von Trier’s “Dogville”, since it is set in the United States and stars an American cast, and Henning Carlsen’s “Hunger”, since it is a collaboration between the three Scandinavian countries).
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Over many years, and with several men (and women) at the wheel, Denmark has turned out several great movies. After a bit of a stale period, the nation’s cinema was renewed by Lars von Trier and Thomas Vinterberg with the Dogme 95 movement. Later, the mantle was picked up by Carl Theodor Dreyer, who proved again that Denmark could make movies. In the dawn of cinema (the early 20th century), Ole Olsen founded the first Danish filmmaking company, Nordisk Film, and established Denmark as a place of talent when it came to movies.
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Nevertheless, those who know about Danish cinema have been drawn to it by its unique (and usually dark) sense of humor, its realism, or its philosophical takes on themes like religion or morality.ĭenmark has also had its fair share of visionary directors.
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Frankly, Denmark is a small country, and even with the funding by the Danish Film Institute, it still does not make many movies each year, and rarely reaches mainstream audiences, let alone international audiences.ĭenmark has never been known for big blockbuster movies, nor will it likely ever be. In the grand scale of things, the cinema of Denmark tends to be overlooked.